Civil Imagination : A Political Ontology of Photography
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Photography, writes Ariella Azoulay in Civil Imagination, is an event and encounte, irreducible to its end product: the photograph. This shift focus to the practice of producing photographs brings to light how images both reinforce and resist power regimes. Azoulay engages with Arendt and Benjamin, arguin that art world concerns regarding authorship, intention and framework should be replaced with a discussion of the agency of the subjects and viewers, the political delimination of what can be seen, and where the imagination can breal through political boundaries. Showing how photographs from the occupied territories of Gazaand the West Bank recognize or deny the Palestinian disaster, Azoulay reconstructs the narrative of the responsible, ruling regime-and in so doing, also demonstrates how its power can be renegotiated through acts of imagination. Packaged beautifully with many color phptpgraphy as a civic practice, capable of reclaiming power for the purposes of critique, freedom and resistance.