KEY FRAMES : POPULAR CINEMA AND CULTURAL STUDIES
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Temin süremiz 28 - 42 iş günü
The study of film has been transformed by new theories and approaches from cultural studies. Through case studies from Wong Kar Wai's "Happy Together" to Judy Garland fandom on the internet, this work examines the encounter between film studies and cultural studies, offering new ways of reading popular film. Contributors demonstrate the possibility of rethinking cinema in the light of work in feminism, queer theory, race studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and marxism. Embracing both the film studies focus on issues of production and technology with cultural studies analysis of consumption and audiences, this book aims to demonstrate the breadth of approaches to film now possible.