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Acting (Re)considered 2e : A Theoretical and Practical Guide - ZARRILLI, PHILLIP

Acting (Re)considered 2e : A Theoretical and Practical Guide

PHILLIP ZARRILLI

Yayınevi: Routledge

Yayın tarihi: 03/2002

ISBN: 9780415263009

İngilizce | 416 Sayfa |

Tür: Tiyatro İnceleme

  • 232,53 TL

This is a wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late 19th century to the present. The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as: how we think and talk about acting; acting and emotion; the actor's psychophysical process; the body and training; the actor in performance; and non-Western and cross-cultural paradigms of the body, training and acting. "Acting (Re)Considered" is for all interested in performance.

Contents: 1.General Introduction:Between Theory and Practice
Part I:Theories of and Meditations on Acting
2. Introduction
3. The Actor's Presence:Three phenomenal modes
4. On Acting and Not-Acting
5. "Just Be Yourself": Logocentrism and difference in performance theory
Part II:[Re]Considering The Body and Training
7. Introduction
8. Meyehold's Biomechanics
9. Etienne Decroux's Promethean Mime
10. Actor Training in Neutral Mask
11. Eastern and Western Influences on Performer Training at Eugenio Barba's Odin Teatret
12. Bali and Grotowksi:Some Parallels in the Training Process
13. Culture is the Body
14. My Bodies:The Performer in West Java
15. "On the edge of a breath, looking":Disciplining he actor's bodymind through the Martial Arts in the Asian/Experimental Theatre Program
17. Effector Patterns of Basic Emotions:a psychophysiological method for training actors
Part III:[Re]Considering the Actor in Performance
18. Introduction
19. Brecht and the Contradictory Actor
20. Dario Fo:The Roar of the Clown
21. Forum Theatre
22. An Epic System
23. Resisting the "Organic":A Feminist Actor's Approach
24. Rachel Rosenthal Creating Her Selves
25. Task and Vision:William Dafoe in LSD
26. David Warrilow:Creating Symbol and Cypher
Notes
Bibliography and References Cited
Bibliographical Note: Actors Speaking on Acting
Index

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