Video Color Correction for Non-Linear Editors: A Step-Bystep Guide + CD - Jones, Stuart Blake

Video Color Correction for Non-Linear Editors: A Step-Bystep Guide + CD

Stuart Blake Jones

Yayınevi: Focal Press

Yayın tarihi: 12/2002

ISBN: 9780240805153

İngilizce | 304 Sayfa |

Tür: Bilgisayar / Tasarım & Masaüstü Yayıncılık  |  Grafik

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Today's non-linear editing systems are equipped with a wide range of colour correction tools that were previously only available in dedicated colour correction suites. This book shows video editors how to take full advantage of their power. Clear, step-by-step instructions are included for Avid XPress DV, Avid Symphony, Final Cut Pro, Adobe Premiere and more. Beyond that, the text emphasises the importance of "selling" the final colour correction to clients, while making sure the client realizes the impact colour correction gives the final product.
In addition to non-linear editing systems, there are now many plug-in applications for colour correction. These plug-ins, including ColorFix, Composite Suite Color Correct, Vixen Pro, and Color Finesse, are covered in detail. There is also information on how to work with the various video recording formats a client may need, and the pros and cons of each. Rounding out the text are numerous hints, tips, common pitfalls, and tutorials for real-world practice. The CD contains images to practice colour correction on; popular software tools, including trial versions of AfterEffects, Premiere, and various plug-ins; and QuickTime movies demonstrating colour correction techniques

Table of Contents
Part I - Getting started: the basics of colour correction
the colourist
setting up your colour correction environment
colour correction suite checklist
Part II - The video signal: the video signal reading
the scopes
the waveform monitor
the vectorscope
the parade display
the histogram
video standards
NTSC PAL HDTV video systems
component video
composite video
analogue video
digital video.
Part III - Video recording formats: analogue recording formats - 1" Type C 8mm Betacam, Betacam SP, Betamax, Hi-8, S-VHS, U-Matic, VHS
digital recording formats - Betacam SX, D-1, D-2, D-3, D-5, D-6, D-7, DCT, digital Betacam, digital S, DV/DVC, DVCAM, DVCPRO 50, Digital 8, HDCam.
Part IV - The colour correction tools: Adobe Systems Inc - Adobe After Effects, Adobe Premiere
Apple Computer Inc - Final Cut Pro 3T
Avid Technologies Inc - Avid DS, Avid Symphony
plug-in applications
3 prong ColorFix
digital film tools
55mm composite suite
colour correct In-Sync Corporation Vixen Pro
synthetic aperture
colour finesse
video finesse.
Part V - Types of colour correction: basic video levels
primary colour correction
secondary correction
adjustable gamma curves
knee correction
area isolation.
Part VI - Sample scenarios: seven sample colour correction scenarios
hints and tips
when to use which type of color correction
"traps" colourists frequently find themselves in.
Part VII - Tutorials: primary colour correction
selective colour correction
creating a colour gradiation
creating a knee correction
a defocused halo effect
creating a night scope colour effect using your adjustable gamma curves
creating a secondary colour correction
adjusting image levels using the histogram
changing colour using the eye dropper
creating a dual tone effect
instantly creating a warm or cool look
creating a black and white image with one colour remaining colour
correcting the image highlights only
creating a sepia tone colour correction
creating a colour vignette around an image
making multiple colour gradations. Appendices: additional resources
world television standards
colour temperatures
video recording format chart.

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